Thanks to the glib generalisations of the self-congratulatory ‘modern’ twentieth century, Raphael, after four centuries of appreciation as one of the greatest of the Renaissance masters, came to be regarded as insipid and sentimental.
Stop and Look – Raphael’s The Entombment…
Thanks to the glib generalisations of the self-congratulatory ‘modern’ twentieth century, Raphael, after four centuries of appreciation as one of the greatest of the Renaissance masters, came to be regarded as insipid and sentimental.